"One must not use his Power for deception of people.
One must not rise over other people.
One must not use this Art for suppression of people.
If there are achievements, there should be flaws.
It is necessary to know about flaws to attain higher achievements.
It is necessary to breed the true greatness of Spirit.."
JIN JING ZHONG.
Authentic Shaolin Heritage: Dian Xue Shu (Dim Mak): Skill of Acting on Acupoints (Tanjin, 1934)
Bibliography: Jin Jing Zhong
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Authentic Shaolin Heritage: Dian Xue Shu (Dim Mak): Skill of Acting on Acupoints (Tanjin, 1934)
The book was written in 1934 with blessing and direct participation of the Abbot of the Shaolin Monastery Reverend Miao Xing nicknamed Golden Arhat. Book are about methods of acting on acupoints and their practical application in Martial Arts. DIAN XUE SHU that is literally means "The Art of Touching Acupoints" is more known in the West as DIM MAK ("Blows at arteries" in Cantonese dialect) or "Death Touch". It should be noted that the last two names do not fully reflect the essence of this method. DIAN XUE SHU is a profound teaching which is closely connected to Chinese traditional medicine. Besides the martial aspect, DIAN XUE SHU includes a wide range of methods of reanimation and medication.
In addition to theoretical fundamentals, the books give detailed description of the localization of basic acupoints, methods of acting on them with the aims of combat, reanimation and medication, effects of acting on a particular point, methods of exercising fingers and palms, techniques of blows etc.
About the Author
Jin Jing Zhong (alias En Zhong) was born in 1904, had an unofficial name of Zhe Chen and a nickname of Fendian Ke ("Mad"). Was engaged in traditional styles Kung Fu from his childhood. Learnt the style Tan Tui ("Kicking Legs") from master Zhu Guan Peng, the Shaolin style Liu He ("Six Harmonies") from master Yiang De Shan, the style Xing Gong Quan ("The Fist of Subconscious Mastership") from master Yin De Kui, then was a disciple of Miao Xing, the Abbot of the Shaolin Monastery, who taught him the style Luohan Quan ("Arhat's Fist"), 72 Shaolin Arts and introduced him to ancient Shaolin Treatises on Martial Arts. Later trained military police. In 1933 founded "Society for Studies of Fighting Techniques" and was the head of "Weekly Magazine of National Arts."
BOOK details
- CreateSpace (USA, 2008)
- English
- 108 pages / 6 x 0.27 x 9
- 1438234066
- 978-1438234069
Achievements of Shaolin Monks-Warriors
Chronicles of the Shaolin Monastery (Shaolin Si Zhi) preserved for us many names of monks-warriors from Shaolin who attained mystic heights of mastery and obtained superhuman abilities thanks to indefatigable training and diligent observance of true methods.
For instance, monk Hong Wen who lived in the XIII-th century sat into the stance MA, put a stone slab weighing 110 lbs on his head, stood a man on each knee and stayed so until a huge incense candle, as high as a man, half burned off. His disciple Jue Yuan could dodge several spears thrown at him, broke stone slabs with his fist, knocked a hollow in a wall with his finger, ground pebbles into powder in his palms, handled all kinds of Shaolin weapons with skill.
Monk Zhi Yin who lived in the XV-th century came to Shaolin at the age of sixteen. He gained such a mastery that he could easily move a stone weighing 1000 lbs with a push of his leg, break trees with kick, drive piles into ground with his heel, knock down several people at once with a kick.
Monk Shu Ran who lived in the XVII-th century perfectly mastered the art of "Light Body" QING GONG, jumped out of one pit into another, could jump up a wall or a high pole, and for it he was nicknamed "Genuine Master of Gong Fu". His contemporary, monk Shu Qing mastered the art of "Diamond Finger" to perfection, with his finger he could pierce a wooden board as it were a straw mat and crush stones into sand with blows of his elbows.
The XIX-th century also knew a lot of true masters. Monk Ji Hui gained outstanding success in exercises for hardness YING GONG. He crushed huge stones with his elbow like with a diamond pestle and broke thick wooden beams with an arm blow. Besides, he was proficient in the art of "Golden Bell", blows of a big iron hammer did not hurt him at all.
Monk Hai Fa beat off arrows shot at him, was able of dodging spears pointed at him from a few sides. Besides, he mastered the method "A Leg Weighing 1000 Jins", he could crush a stone with a "trampling" blow and kill a man with the "Iron Fist".
Monk Zhen Yue ran up a sheer wall of three meters high and mastered the art of "Light Steps". His disciple Ru Bi achieved some success in "Hard Art" YING GONG and additionally he perceived the "Luohan's Art" LUOHAN GONG and could fight against several armed enemies in pitch darkness.
